That’s why Wayne Diamond hated the suburbs. “Everybody’s the exact,” he says. “Every discussion is about, how superior was your 7 days, how significantly income you make, how’s your stocks accomplishing. I had a monster home in Westbury, a lovely dwelling, and probably today it is really worth about 15 mil, but in people times I offered it for six.”
“But you know, I loved it. I adore flowers. I like the pool. I preferred sitting there. But the folks had been difficult to offer with. New York, I appreciate. Anywhere you go, you wander into a cafe, they glance at you. They give you this evil eye. They see the hair and shit. They say, ‘Oh, this guy’s a schmuck.’ And I love it: Fuck you, far too! And then we turn into buddies.”
To again up a moment: how did Wayne Diamond possess a $6 million greenback household? And this Higher East Facet two-bed room? And these John Chamberlain sketches, this Paolo Buffa chair I’m sitting down in, the Willy Rizzo coffee desk stacked large with shiny tomes on Valentino and Coco Chanel?
Effectively: “Like Mozart could do a symphony,” says Wayne Diamond, “I could layout a dress.”
Diamond’s Operate, the manufacturer was termed. Based out of New York’s Garment district. “I manufactured ten million a year” when he was jogging the business enterprise, he claims. “I did a hundred million bucks or more” when he bought the small business in the ’90s, he states. He would sell a store like Bloomingdales 100 attire, and 80 would be absent in the first day, he suggests.
Wayne Diamond’s dresses had been of a variety that don’t fairly exist anymore, priced “anywhere from, I’d say, $12.75 to $49.75”—big style and design at reasonably priced selling prices. When I request where by they were being sold aside from Bloomingdale’s, he says every single keep “from the lowest dance hall to the maximum selling price men.”
“Everybody was in opposition for the middle lady in The usa that desired to be hip, and in the ’70s, I think I was the best that at any time lived.” He goes on, “I experienced people disco dresses, I offered hundreds of thousands of them. No person even believed about disco attire. It was the ’70s, and I designed a fortune on disco dresses.”
Disco dresses, he explains, had been “very identical to anything they’re carrying now. Everything’s the exact same, nothing’s really changed. It’s just that they duplicate everything I made. It burns my ass.”
Like who? I inquire, and he responds that he has “no regard for designers right now,” but “the only just one I genuinely form of favored was Cavalli. He was not a designer far more of a print person. His shit sucks but his prints are outstanding.”
Talking with Wayne Diamond is like accomplishing that bit from The Great Gatsby exactly where Nick Carraway is so reluctantly charmed by his scammy wealthy titular pal that he feels a wave of aid each and every time some wild assert of Gatsby’s is verified correct. When Wayne Diamond shows me the gross sales brochure for his old household in Westchester—a glowing, multi-million dollar pseudo-Mediterranean hulk with the cursive headline, “OLD Earth ELEGANCE”—I feel of Gatsby handing Nick photographic proof of himself attending Oxford University. When I peek into the kitchen from his lounge-lizard dwelling space, I see that each individual appliance, utensil, knob, and dish towel is cherry red—the risk-free room of a classy Nora Ephron heroine, not a fabulist swinger. Or when I glance up his dresses on the internet and uncovered a bunch of ruffled and lamé ’40s-encouraged swing attire included in sequins, somehow just as I imagined them. These ended up the dresses, I suppose, for the woman with Halston goals but no community Studio 54. Or Diane Von Furstenberg for the woman who couldn’t get close to enough a glass ceiling to split 1. As Carraway suggests, when Gatsby reveals that he only sort of lied about going to Oxford: “I had 1 of people renewals of comprehensive religion in him that I skilled ahead of.”